The Age Of Kibla Khan
Trunco Butto was bundling off with some books from his local
library in the town where he lived which, especially built by the Feet
automobile company for its employees, was named Pedalia in memory of a previous
head of Feet, Xavier Horst, whose daughter, Gogo Pedalia Xaviera Horst, had
been mown down by a car; `like grass`. The pasta of the local chudge agreed:
`As it is written in the Bubble: `All people are like grass and their glory is
like the flowers of the field; the grass withers and the flowers fall, but the
word of the Lord stands forever.` (1 Putter: 1. 24) The mower had been leering
as he read the bubbles, which were the religious term for the word balloons
that appeared to give instructions to people who lived in VR films. X. Horst`s
'flowering emission’ was a 'Bubbleon pink and day-glo miasma’ when 'turned into
mulch’ by ‘THE LAWNMOWER MAN', as the Pedalia Cassette Daily Video ‘newspaper’
labeled the maniac, after a 1992 movie about a telepathic character, Jobe,
living in virtual, and who ‘mowed his girlfriend’s mind', while they were being
intimate and he felt divine. Wearing a rather sexy Linda Fart, Tin, than a
force Linda Lord, Word, the ‘grass cutter' was still sputtering in
embarrassment over his confusing polluted exhaust fumes, which bubbled the word
'kill’, with the bubblical words from his VR film, when there wasn`t any fool
left in the car.
Many superstitious persons felt that the girl they`d
pollutantly mown fulfilled the curse invoked by Mr. X. Horst’s unfortunate
choice of name for Pedalia, which had conjured images of leering used car
salesmen, whom no one wanted, pedaling by on their worn tyres, `Buy!` Flatter
than she`d been, the carnage visited upon the pubescent Pedalia inspired Trunco
to research a little known patch of turf in history known as the Age of Kibla
Khan, whose great-great-great grandfather several times removed, Kobla, had
been the builder of the first `horseless garage`, because he was tired of
making shoes. Condemned as a regressive who`d made a shoe-box without any
shoes, Kobla`d been several times removed by shoe fetishists, who hadn`t wanted
the pop up to stare to be invented, that is, the passenger carrying bubble
machine of the motorized polluter with borne toast, and with the distinctive
monocular look of the alien camera, so that it could be fit into Kobla`s
prematurely ejaculated erection, because then there wouldn`t be so many feet to
measure the ground upon which they all watched for the safe progress of each
others` soles.
After raising the toast, which then popped up out of his
mobile toaster, sporting shades and sunblocker each morning, Kibla would quote
from an old Bubble, which kept bubbling up, although no one wanted to read it,
to gently rib, `Where have you come from?` The other toe stares maintained
their usual level gaze as Kibla`s browned off family popped out to their local
tea shop. Guard had asked the same question of the imp, Satin, according to
what remained extant of the ancient Bubble, to which Satin had insouciantly
replied, and with no little degree of insolence in his pixie boots: `From going
to and fro upon the Earth, and from walking up and down upon it.` (Jobe: wants
heaven) Kibla’s patriarchal relative, Kobla, had taken it as his duty to assist
the imp by inventing the pop up toaster. Consequently, with the aid of a time
machine, Kobla`d been several times removed from his clutch by the devil’s
advocates of pedestrianism; to force him to use his legs. Admittedly, he was a
Satinit reptile, but he didn`t lay eggs like B-29s over Hiroshima and Nagasaki.
Jobe`s descendants did, because Guard had tortured them beyond endurance. A
bubblical character with the same name as the character, Jobe, in the Bubbleon
movie, The Lawnmower Man (1992), Jobe`d been tortured by Guard after Guard,
tempted by Satin, agreed to. In the future Jobe-scaped into the telectronic
matrices of VR, and his Calling was instantly enunciated by everyone on the
Earth being able to hear the tone of their 'phone: 'This technology has peeled
back a layer to reveal another universe. Virtual reality will grow, just as the
telegraph to the telephone - as the radio to the TV - it will be everywhere.’
Hidden in the matrix meant matricide, however, because men without women in the
matrix were immortal without birth, and so it was the death knell of the human
species that Jobe had rung.
In the pre-Musclemen age, the worship of the goddesses
al-Lāt, al-'Uzzá, and al-Manāt had prevailed, because they were al-gharānīq,
that is, ‘bird women’, descended from reptiloid ‘seed’; women’s `granny car`.
The granary of her futanarian future was what the book of the holy Gran was
about. If the pre-slaver age of `woman`s seed` didn`t worship Guard as an
expression of their gratitude for life, and sexual desire for each other,
they`d be slaved by the reptiles, so the intercession of al-Lāt, al-'Uzzá, and
al-Manāt was sought. They were women who bred women, which was why they were
thought well of:
`Have you then considered a l-Lāt, and al-'Uzzá? And the
other, the third, al-Manāt?
What? For you, the male sex, and for him the female? Are
yours the males and his the females?
That indeed were an unfair division.'
C’ar’an, Ch. 53, ‘An Najm' (The Star), vs 19-22.
Kibla`s Car Rage was legendary, because his opponents
worshipped the square wheel in the city of Me Car, while pretending it was a
garage to be, so establishing brainlessness without `woman`s seed` in slavery
to the `serpent`s seed` of the reptiles. The star of women had been the symbol
of Jesus` Advent in the night sky when he was born from his mother, the Furry
Jean Mary, in a stable at the town of Bethlehem during a journey to comply with
a Rum`un census requiring Chews to register. Surrounded by animals, Jesus`
birth uncontaminated by male semen, and attended by angels, was the
Annunciation of one who would teach humanity about `woman`s seed`, rather than
animal breeding for slavery by an alien devourer.
The atrocity encountered by 'Celebrity Road Kill!', as local
community newspaper, Socialist Propaganda Organ 1927, reported it happening to
Gogo Pedalia (and her family), would barely have registered as a blip on the
speedometer of Kobla’s Khan age, according to the histories Butto was speeding
over to his house with, because Kobla had believed in `woman`s seed`, and so
wanted to be redeemed from the curse placed by Guard upon his fallen reptiloid
state: 'On your belly you shall go, and you shall eat dust all your days.’
(Djinn: 3. 14) In the modern era of the car choke, the brain was starved of
oxygen to increase the flow of oil from the pumps, although sex-starvation for
'woman's seed', preventing humans from being born, cut off the oxygen supply
much more effectively, and the Alien Overlords described it as 'choking the
chicken', because they wanted it to get to ‘the other side’ much more slowly,
so they could get more oil out the pumps, before identifying the human race
with the traffic accident sticker, ‘ROAD KILL!’, which meant that their profits
were much more accurate predictors than those of the days before the horseless
garage. Although the All Limp Pics were held every year, to show to the ‘TV’
world that the pumps weren’t running out, the message to the watching billions
was that the participants were flat out over nothing; as the aliens prepared to
reveal a genitally expired labor force to an audience already half-believing
from ‘TV’ propaganda, and ‘topless’ women without any ‘nuts', that the
existence of human sexual reproductive organs was a ‘localized’, if not
'individual', phenomenon.
The Bubble described how Onan’s brother was killed by Guard
for unspecified ‘wickedness’, before giving Onan his brother’s wife, Tamar, to
fertilize. When Onan preferred to ‘choke the chicken’ and left his ‘seed’ on
the ground (Djinn: 38. 9), Guard killed him as well; as a punishment for the
woman's chicken having already been choked by the dust-eaters, who'd always
prefer the pumps thereafter. All roads wended their serpentine course, before
arriving at the dummy garage of the square wheel worshippers, seeking a return to
the pre-Pump Age, so to avoid a repeat of the Khan Ages of Kobla`s and Kibla,
who'd visited carnage on those who believed in car slavery, rather than outer
space, with its colonizable planets among the stars, and shipping out there to
be free. Independently, Butto was using his own feet, rather any of those
placed at his disposal by his employer, Feet, so he went in by his front door;
thereby escaping from the clutches of whoever might be hatching crocodile’s
miles along the egg-layer of their motorings.
Relaxing with his own preferredly human feet up on a buffet
in his lounge, Butto read aloud from Garaged Car History (600 A.D - 1978),
which he`d squirrelled off with from the Pedalia town library, and was now
thinking of not taking it back, `In the city of Me Car was the great symbol of
the Car Age, the Ba` Ka.` Kibla`s voice fell as he lapsed into a reverent
silence. The Garaged Car History went on to relate how people had a rude
picture of the Ba` Ka pasted onto the walls of most any structure where the
people of the machine age might be persuaded to pray in its direction in Me
Car, with the hope of traveling there with their magic care pets; some of whom
looked a lot like model and movie actress, Camraon Djizz, and were in fact
often pasted onto the walls instead, because putting the whores before the car
was what they were for.
For the Bigrabs, who lived in and around the city of Me Car,
it was the Eye-Machine Age of the auto-mobile 'phone for the windscreen moving
picture industry which, after referring to a religious book of instruction they
had from their gran, they translated into modern parlance as, `I`m a djinn-ager
without a portal opener to open the portal with.` As djinn-agers they couldn`t
see a way out of the portal, which was the door to ‘Slam`s prison, where they
were treated like the nigger of their gran, that is, gharānīq, because they
were the `woman`s seed` who`d been made slaves of. Consequently, the goddesses
were invoked for whatever protection they might afford `woman`s seed`: '....
the exalted gharānīq, whose intercession is hoped for.’ (53, 19) In the nations
of ‘Slam it wasn`t possible to work unless an iqama was granted, because an
`iq` was a machine. A `nigger` was a user of a machine, that is, an iq-er, but
machines, like cars that had to be pedaled while their wheels turned, were a
slaver`s treadmill. Wrestling `woman`s seed` to the canvas of the Earth, where
representational art was `haraam`, that is, forbidden, ‘Slam, like Mick
McManus, berated the woman for being ill mannered enough to want to leave her
tormentors, who wouldn`t let her onto the canvas again; lest the human species
get off the Earth`s floor.
Inspired by films of
women fucking each other to produce brainpower that wasn`t alien to freedom,
humans might paint a better picture on the canvas of reality, which the slaving
alien didn`t countenance. Its `niggers` were women, and their putative
families, who were used by alien vehicle operators (AVO) as slave adjuncts to
their machinery, which was what `iq` was, a machine that slaved for a slaver.
It pecked at the slave until it worked, so the pecker had to be hidden under
the skin of the slave, who then had the armor of an `iq`, which allowed the
Gran niggers of `woman`s seed` to be worked to death, while the slavers
developed bigger pecs.
‘Slam`s doors were where the bottled djinn-age windscreen
picture grew bigger, and uglier, because the djinn-agers couldn`t escape from
the bottlements of whatever prison they were incarcerated in to produce the
movie from the cars’ emergence after the factory to scroll past the scenes of
what everybody then had to see from the windscreens of the`big picture` the
butt-hole surfers watched but couldn`t live in. The `TV` age of imagine nations
was what the djinn-agers had been taught they wanted, and those ICBMs that
would be launched to make sure that eyes see BEMs everywhere, were the bug-eyed
monsters (BEMs) of men`s science fantasy oil lamp with wheels. Men were the BEM
aliens that wanted to see the end of the djinn-agers hopes in having a future
outside of bottles between car manufacturing giants, like Feet and Fart, for
visual supremacy. Insisting that the rubber should be worn at all times, so
they could sniff on after the end djinn, it was the djinn-agers end that they
sought. Always at their rears where the fumes were produced from having a full
hose placed underneath their caps from behind, the serpentine predator oink
oiled, seeking the end of djinn-age rebels, who wanted more than a full tank
with a long nose.
The Bigrabs of Me Car were taught to use only the right
hand, because the left side of the brain controlled the right side of the body,
and was more creative than the right side of the brain, which was more rational
and logical, that is, humdrum, and the Bigrabs of Me Car didn`t want anyone to
be able to build a car better than they already had, so everyone was taught to
use their right hands to wrestle with the left side of the brain`s creativity
until it was dulled and doomed to `acceptance`, which is how the word `Slam was
translated by the book worms. It was 'Slam-air, where the imprisoned creative
genius suffocated; lest individuals became intelligent enough to live without
begging. As a consequence, the former Bigrabs weren`t that big anymore, and so
had become used to being called Begrabs, although the rumor was that the care
pets, who had managed to avoid the worm viruses attacking computer software
midget, Might Grow Soft, had developed more and bigger Abs than their Musclemen
predecessors, after they`d taken the wheels invented in pre-’Slam iq times.
`Oh, I see,` Butto saw, `they were djinn-age drivers.`
Trunco read on silently. Only the Car Rage box was left for the square wheel
that the Bigrabs wanted everyone to worship, so that they`d be slaves forever
trying to get the damn thing to roll. Those left behind had called themselves
R-abs to remind them to use their Right hand, because all they had left were
the pictures of women who looked like Camraon Djizz pasted onto the wall with
an arrow pointing in the direction of the empty Ba’ Ka, where they’d used to
park the car, and the legend 'Kibla' appended with blu tac. Later, a picture of
the housing for the worship of the square wheel had replaced Camraon Djizz
lookalikes, like Lady Gaga, who was a western pop star that sang about the
emptiness of garages for square wheels that wouldn`t rock `n` roll for cars:
`My telephone!
M-m-my telephone! 'Cause out in the club, And I'm sippin'
that bub,
And you're not gonna reach my telephone!`
The automobile `phones of the late djinn-age period received
broadcast pictures of their own; produced largely from inside the buildings the
automobiles saw on their pig screens as they oink oiled in their serpentine way
through the canyons of whoever`s mind it now was that they were now made to
watch. Out of the cars, and inside the bars, the `phones transmitted pictures
to the women`s prison, where they had to suck on the Bubs` cocks. Although the
vast stuttering emptiness of the Gaga Age of The Fame Monster (2009), from
which the track `Telephone` emerged, emphasized the importance of being on the
blower, rather than being blown, its focus on slave sex placed the onus
squarely on the Me Car box`s modernist role as a rather ornate objet d`art for
the modern car manufacturers` approved religion of square wheel worship.
Although there was some conjecture and debate about whether the box symbolized
a `phone booth among art connoisseurs, the called girls couldn`t be blowed to
come, `cause the escaped women no longer traveled through the air in response
to self-styled ‘pest controllers' sending laboriously contrived (pc) tube
messages arranging blow jobs.
Accepting alien conceived limitations placed on the
expression of the desire for human sexuality among T-feed humans, the would-be assassins
were themselves ‘blown away', when they blew into Me Car to blow the safe sperm
depository box, but found the lock-up garage’s occupants’ long sins gone, and a
‘bubble trap’ advising a robo-guard to eliminate the sterilizers. The trap had
been set by those who were called witches in the Mental Ages Of Four, because
their penises remained erect when they were burned at the stake, which was why
modern women depicted themselves as riding away from terrestrial terrorism on
penis-symbolizing broomsticks representing the rocket technology that was to
come what sperms were to submarines. William Shakespeare, the English
playwright, described how the trap was set by the three goddesses, al-Lāt,
al-'Uzzá, and al-Manāt, in Act IV of his play, MacBeth (1606), about a woman
who foolishly murders a king, so that her husband can rule her: 'Like a
hell-broth boil and bubble.’ (i, l. 18) Bill's second witch was ‘The Bubbler',
familiar from the TV series, Batman (1966-8), in which bubbles appeared with
words inside, like in the Detective Comic (D.C.) books, where the
crime-fighting 'caped crusader' originally appeared in May 1939, for the
audience to read. To protect the ‘safe house’ in Me Car, the women of the
'Yeah' had left a bubble to appear, which the electronic guardian read with its
heat sensitive optic nodules: 'Eliminate intrusives!' For the humans it was
already too late, because they couldn't any longer read the old bubbles. Most
of them weren't rich enough to buy new ones either, and so have a VR film to enjoy,
but were niggered.
Image-djinning a car from his time zone, where the past
tents in the stone age were, wheelwright Kobla had been a reasonably large hero
when he`d imaged a horse with wheels. The care pets had been off in the car
with wings that they`d taken before the post-’Slam Me Car Age, and the new era
of worshipping the square box for the square wheel of slavery that they rather
wanted it to have contained.
In their djinn-age years, the humans had known that the
R-abs wanted to box their rears, and make sure that they`d never get off the
ground again, so they`d forbidden the djinn-agers of the succeeding generations
to drive; until they put the `Yeah Car` back in the garage. While everyone
watched the soap on their `phones, the users of the bars waited to see if Kobla
would ever escape; like all ghoul consumers.
Although the ancient Greasers built Kobla`s huge wooden
horse outside the city of Trudge in Asia Minor, to leave there in the hope that
the Trudgeons would take it in where the Greasers would emerge from its
hollowed inside, to capture the city for womb slavery and so manufacture more
Greasers to wage war on behalf of the Grease Impire, the wheels of the horse
weren`t motor driven. Consequently, Kobla had to improve on the Greaser`s wheeled
horse by putting wheels on an oil lamp, which provided light by night, like a
‘magic lantern show' projecting the Greasers' future. `Now,` Butto read aloud
with some gusto, `it was possible to see hit-and-run killers on the streets of
cities like Pedalia.` Gogo herself, the book of Garaged Car Histories informed
him, who`d given her name to the city, had been a Grease djinn believer in
crucifixes, which is what airplanes were. Carrying passengers overhead to their
destinations across the Earth was but a memory of the winged Yeah Cars that the
djinn-age magic care pets had taken from the garages of the Arub lamps` people,
who now only looked brighter in the headlamps as the once gigantic race from
the 'seed' of Man looked for some more bars from the out toes they'd cut off to
spy at their foot.
Without any sign of the Yeah Cars being put back in the
garages, the new generation of care pets remained grounded; doomed to play a
bit part in the bug-eyed monsters' windscreen movie. Unless the garage owners`
prayers were answered, magic care would never again be found in the sputtering Gaga-Age. It`d be a `battle of the
sexes` until `the Last Trump` was heard in heaven heralding Chudgement Day, and
the promised return of the magic care car to the Original Manufacturer (OM) by
the Former`s pets, who the Butthist followers of Squatama Buttha believed would
recite ‘the mantra of the realization of the Great Vehicle', which would return
the car to the garage: 'Om mani padme hum.’ In Butthism the goal of meditation
was to break free of the wheel of karma, and being made to drive a car using
the wheel was the way in which everyone was made to accept their ‘calmer’, that
is, the treadmiller, who was the slaver, because the pedal car was a disabler’s
vehicle, whereas the Yeah Car was an enabled vehicle of the ‘Great Liberation’
from being told that women couldn't fuck each other.
It was the tradition among the Arubs that She’sus, who was
called It’sher by them, wasn't crucified. The Mettalist peoples of the Arub
eons` Gulf said that there was a man who was crucified called It’sher, but it
was a case of mistaken identity, and that It’sher had in fact walked into
paradise, that is, heaven on Earth, where he remained: `... they said in boast,
`We killed Christ Jesus the son of Mary, the messenger of Our Law.` However,
they killed him not, nor crucified him, but so it was made to appear to them,
and those who differ therein are full of doubts, with no certain knowledge, but
only conjecture to follow; for of a surety they killed him not. No, Our Law
raised him up unto himself; and Our Law is exalted in power, wise.` C’a’ran,
Ch. 4, `An Nisa` (Women), vs 157–158. Although the Musclemen were criticized
for calling Guard `Our Law`, the Chews called Guard `Eloah`, while the Prettyish
police said: `Allo `allo `allo. What`s all this then?`And Isten was Guard to
the Hungarians, which suggested that all law wasn't on the side of the
psychopathic murderer who, believing in his den, refused to admit that the
victim`s expiration date was evidence.
The Creased Jeans differed in that their tradition was that
supposedly celibate She’sus, who didn`t have a `love muscle`, which explained
the Creased Jean sect`s name, represented the brain detached from the body, so
that the wheeled car could be invented by bodily detached brains emulating that
of the Chewish Meshiah, whereas She’sus’ teaching was that of a porn guard. An
advocate of sexual reproduction between women, so that ‘woman’s seed’ could
escape the Earth and slavery in starships of their own brainpower’s devising,
She’sus was crucified by the Rum’uns as a ‘dissident’, during their Imperial
occupation of Chewish Palestein, and thereafter he'd experienced Resurrection
and Ascension to heaven above the Earth, which wasn't paradise, because She’sus
ascended to heaven and didn't just walk in.
The subsequent invention of the cruciform airplane deriving
from the original crucifix design that allegedly was an instrumental by Loren
Gilmour of the pong crock group, Punk Flea, in taking anyone to heaven who
cared to listen, led to the construction by the United States of America of
B-52s which, like the helicopter gunships in the film of the US defeat in the
Vietnam war, Apocalypse Now (1979), bombing along to one of Adolf Hitler’s
favorite slaving songs from German composer Dick Wanker’s Ring opera, ‘Ride of
the Valkyrie’ (1870), magically ‘carpet bombed’ Cambodia during President
Richard Millhouse Nixon's truncated tenure, due to impeachment proceedings in
1974, while singing 'Love Shack' (1989): 'Bang, bang, baby. That's where it's
at.’ Although the U.S.A. deemed itself a Creased Jean country, based on the
principle that She’sus 'Greased', 'the chosen', had ascended to heaven upon the
cross, ‘like greased lightning', as be-jeaned John Travolta and Olivia Newton
John sang in the modern allegory of the life of She’sus, Grease (1978), those
who espoused the tradition of It’sher argued that it was a case of mistaken
identity again. It was in fact It’sher all the time who, they argued, bombing
the peoples of the Earth, ensured that no one else would escape to heaven, and
thus ‘Slam, which was paradise on Earth, would be established by It’sher for
the Musclemen peoples, whose mighty tradition he was.
In Arubia it was that Kobla came to be known universally as,
`The genius of the car headlamp.` By providing light for the wheels of the Car
Rage of male chauvinist pig motorists with rage to be penned up, Kobla had made
it possible to keep count of the numbers of `Gogo nuts`, as they were called,
who qareened down the streets of cities like Pedalia knocking girls out of
their bra cups. The `nuts` were a sore point with the young women's mothers,
who`d used to be an independent species with nuts of their own. Reading the
Bubble had taught them that it was a serpent, who`d been the angel, Satin, and
had rejected Guard`s plan that the human host should be greater than the
angelic, that had castrated them. Guard had turned the angel, Satin, into a
serpent, and left it in the paradise of heaven on Earth, where the creator,
Guard, had placed Eve, the first woman, and Adam, the first man. Satin tempted
‘Eave to `eat of the fruit of the knowledge of good and evil`, which it was
death to taste, because it meant ignorant ephemerality in host womb slavery to
the serpent waging war on humanity, after its rejection of Guard`s `fruit of
the tree of life`, that is, development during immortality.
Although Satin was depicted as the enemy of Man, in fact
Satin was the enemy of `woman`s seed`. As Guard`s words to ‘Eave on the
`enmity` of the serpent, Satin, to ‘Eave showed: `You shall crush the head of
the serpent with your foot, but he will bruise your heel.` (Djinn: 3. 15) ‘Eave
was represented as emerging from the rib or side of Adam, which was a euphemism
for the birth of a woman from her own species` self-fertilizing, that is, Adam
was a futanarian `foot`. Unable to produce brains of their own, and so replace
the parasitical brain of the `serpent`s seed`, which caused `bipolar disorder`,
humanity and the later early Crushed Jean sect, so named for its perceived
absence of testes, lurched and stumbled chaotically from one madcap scheme to
another. A thoughtless monster trying to think, despite being a congenital
half-wit, women`s race couldn`t sexually reproduce with each other the
ambidextrous bigger Abs of `woman`s seed` that they`d need to wrestle
themselves away from the Musclemen`s slave rings that kept women in fearful
faithfulness through the spread of their biological terror weapon, HIV/AIDS. So
it was that women remained host womb slaves in parasitism to an alien that
wanted her species` genius to die quickly, and remain stupid, so that it`d
never escape the alien`s plan to breed with it, and so wage war against it;
using women`s own race to extinguish itself.
She’sus` mother, the Furry Jean Mary, was portrayed in early
Crushed Jean iconography as crushing the head of the serpent, Satin, with her
foot, because She’sus, `the Second Adam`, was born uncontaminated by male
semen, and so he was the Meshiah of the Chewish `chosen people`. Known as
`Crushed`, `the chosen`, he'd preached: `Love your neighbor as you love
yourself.` (Mk: 12. 31) ‘Eave and She’sus` mother, Mary, were symbolic of
women`s mode of sexually reproducing with each other as neighbors within a single
species of `woman`s seed` labeled `futanarian` and without crushed, creased, or
greased genes. When She’sus was taken to the hill of Calf R. E. outside the
city of Cheroots’ Lamps' Chews, on a blisteringly hot sunny day during the
occupation of Chewish Palestein by the Rum’un Impire, and nailed to a cross of
wood as a `dissident`, he died. However, no sooner had the cry from the
enthralled onlookers registered on the ears of the foreign guards, ‘She’s a
son, toast!’ than She’sus experienced Resurrection and Ascension to heaven in
prefiguration of that of `woman`s seed`, whose brainpower would be stronger
than that of the `serpent`s seed` in the future, so that humanity could be the
pop up toast of the aliens among the planets amidst the stars of Guard`s heaven
where the single race of unwed women would be the colonists.
With her album, Sunblock (2007), American songstress
Splurtney Beers had managed to finally launch a protest on behalf of her own
species of `woman`s seed` being blacked out of history by misogyny. Appearing
on the cover of the CD single, `Pizza Off Me`, in the place of She’sus
crucified, Splurtney asked the question: `When do we leave?` Although the
lyrics referred to her public and private battle to retain her dignity as a
member of a slaved race, the ring on her finger emphasized women`s predicament:
`And with a kid on my arm, I`m still an exceptional earner. And you wanna piece
of me?` In the video for the song, Splurtney wrote `SUCKER` in red lipstick
onto a paparazzi's forehead in a way symbolic of how `woman`s seed` had become
‘big game’ hunted by aliens. His camera signified the chase and the shoot. In
the same way that the paparazzi motorcycle riders killed England`s Princess
Diana in the Paris , France, Pont de l` Alma tunnel on August 31, 1996, when
they were shooting her with their cameras and her car crashed.
The obvious analogy
for the paparazzi `SUCKER` in `Pizza Off Me` was the vampire, that is, men as
women`s blood-sucking leeches, although as Elle Degenerate, talk show
hostess, said to Splurtney `live` in front of an invited
studio audience, when she'd agreed to discuss her divorce from Kevin Feeder
Al-line, `You’re his sucker `cause he`s blown yours off.` Splurtney explained
that, although She’sus was perceived as `chicken` by the Rum’un Impire, he was
`woman`s seed`. Consequently, misogyny kept its pecker up by feeding on her
`seed`, that is, there weren`t any cocks; just pecs: `I miss American Dreams
since I was heaven djinn ...`
Pedalia and Jean, of course, who was worshipped as the Holy
Spurt, were the Patron Saints of all their nuts, so far as the table top go-go
dancers in their G-strings at the nightclubs, and Berinda Carisle of the
all-girl Co-Co's pop group, were concerned. They`d have loved to have nuts of
their own, but the ancient Greasers, who`d host womb slaved their women to
practice homosexuality in pederasty for war in the name of the `serpent`s
seed`, had long since ensured that the castrated form of women was perceived by
the world as normative: `Juicy Panda and other of England`s professionally
naked women in their Nuts soft porn magazine were screamingly gay without any
glans in or out,` gnomically observed feminist Australasian, Germane Creer,
without a glance between the pay jizz of the now defunct Nuts (2004-14), while
the gays in their cars streamed on with their monstrous single eye looking at
each others’ rears: `A third part of mankind was killed by the fire, smoke and
sulfur that came out of their mouths.` (Rev: 9. 18) Obviously a reference to
the `third eye` in She’sus` disciple Sean`s apocalyptic Rev of the future after
She’sus. It was Squatama Buttha of Eastern India in the 6th century, who had
revealed through marijuana roaches that the people of the Earth lived in
illusion, and that there existed an invisible `third eye` at the center of the
forehead, which his followers trained themselves to see with: '... out of the
smoke locusts came down on the earth and ... prepared for battle’. (Rev: 9.
3-7) What the ‘third eye` revealed was that people could be really loathsome
insects; if they had enough cannabis to promote cannibalism.
The delusion was that it was a devouring alien that
possessed the human race, but the possessed car nibblers felt themselves to be
better people for admitting to a propensity for cannibalism as being natural to
their species: `In the kingdom of the blind, the one eyed man is king.`
(Genesis, Rubber Sean, E. 300-500 C.E.) Or, as Sean wrote in his Rev, `a third
die`. Sean`s explanation was that men had accepted 'his nibs', Satan: `The
number of the beast is the number of a man and his number is six hundred three
score and six.` (Rev: 13. 8) A third was 33.3%, while 66.6% was the number of
men and women that remained after the human futanarian species of `woman`s
seed` had been made extinct by the `beasts’, who`d refused to allow her to have
her own ‘Johnny’ during the HIV/AIDS` `biological warfare` pogrom against the
human race. As a single saurian brained creature wearing each others` clothes
in TV transvestism, the `serpent`s seed` had manufactured men and women as its
entertainment in wars against humanity: `The horses and riders I saw in my
vision looked like this: their breastplates were fiery red, dark blue, and
yellow as sulfur. The heads of the horses resembled the heads of lions,and out
of their mouths came fire, smoke and sulfur.` (Rev: 9. 16) According to Trunco
Butto`s Garaged Car Histories, the riders were the drivers of the cars, whose
weals were upon the back of the Earth, because the bitch had to be whipped on smartish
in case she woke up to the fact that she died in infancy senile.
As She’sus was speared in the side upon his death by the
Rum’un guard, Longinus, because She’sus had said that the female `spirit of
Guard`, the Shekinah, would teach after him as the Holy Spirit, and the Rum’uns
didn`t want the `Second Adam` to produce a woman from his side in symbolic
fulfilment of Guard`s promise to ‘Eave that her `seed` would prevail, so women
were forbidden to be anything but by the side of men, while women`s species was
extinguished: `Surely, this was the snuff card!` (Matt: 27. 54) Longinus`
observation that, for those against the future Creased Jean eon, it was time
for the snuff card to be played, and get rid of She’sus, Longinus himself was
the snuff guard, and not as later apologists claimed, that he`d been
proclaiming She’sus\as `the son of Guard`. Although that interpretation
appealed to those who believed in the Toerot cards, Trunco read in his Garaged
Car Histories, which were thought to be a pictorial Toer describing the journey
of the soul to heaven, crucifixion was torture and murder, so properly
corresponded to the `death card`, rather than any out toes' steering Wheel of
Fortune.
She’sus` soul`s destination may`ve been divinely inspired,
but the diviners had mafia gamblers to deal with: `Men cursed the Guard of
heaven for their pains and their sores, but refused to repent of what they had
done.` (Rev: 16. 11). What they`d done was prefer a sore by their side by
removing `woman`s seed`, and which was symbolized by the saurian reptile
Longinus` spear in the side of the dead `woman`s seed`, She’sus. By the late
20th century, the `incurable killer disease`, that is, the human immune
deficiency virus (HIV) resulting in acquired immune deficiency syndrome (AIDS),
whereby all of the body`s organs collapsed consequent to infection through the
anus at the base of the spine during homosexual acts in which blood, shit and
semen were mixed together in rejection of women`s mode of sexual reproduction,
had been discovered as a virus mutating from simian SIV in the African Congo. A
saurian `biological weapon`, it`d spread from monkeys to humans as an STD
characterized by painful sores. Men seemed to prefer it to having humans by
their side, symbolized by Longinus` spearing of the dead She’sus` ribs, and his
jeering at `woman`s seed`: `Surely, this was the snuff guard!` (Matt: 27. 54).
For men, She’sus was `the snuff Guard`, because `woman`s seed` was the single
species independent of their slaving that they snuffed in order to maintain
their saurian ancestry and, soaring on, like the B-29s Enola Gay and Bockscar
above the Japanese cities of Hiroshima and Nagasaki respectively, on August 6
and 9, 1945, dropped their exploding eggs on Man.
The elephants of September, 2001, agreed. She’sus was
crucified on a wooden cross, and it was the sign of the cross that the mafia
warlords of the 20th century gambled on seeing overhead in memory of their
saurian ancestry. The serpent, Satin, was descried by She’sus` disciple, Sean,
growing in size after Eden, but not so as to take his position once more among
the angels off Guard in heaven: `The dragon was wroth with the woman and went
to make war on the remnant of her seed.` (Rev: 12. 17) Saurian evolution
preceded hominid evolution by 28 million years. Consequently, they had time to
ascend to heaven before humanity developed from the hominids of the Jurassic
period of Earth`s pre-history 220 m.a. Still gambling on maintaining their
ascendancy over humanity, the saurians were still soaring on well into the 21st
century after She’sus` birth, and dropping their eggs on `woman`s seed`
explosively to prevent the slaved race from escaping.
On what had come to
be known as `the elephants of September`, 2001, the terrorist grope Al Qaeda, `the
base`, operating under the auspices of the notoriously misogynist Taliban
regime of Afghanistan, and led by rich Saudi business hair, Osama Ben Laden,
hijacked civil airliners to crash into the Twin Towers of the World Trade
Center , New York city, in an unalloyed display of `rough trade`, that is, that
`brutality and violence` associated with homosexuality in pederasty, to provoke
an elephant war of tanks representative of the consequences of repressing the
woman`s penis to extend the lying nose of her Pinocchios; the wooden men who
were highly strung: `If you do not remain in me, you are like a branch that is
thrown away and withers; such branches are picked up, thrown into the fire and
burned.` (Sean: 15. 6). Homosexuals were often called `faggots` for the
burning, because they thought of themselves as branches of their sterile family
in some John`s ass.
She’sus had holes made in his hands and feet by his nailing
to the wooden cross, because it was the conceit of the Rum’un Imperor,
Dieburyus, that he`d be a puppet of Rome instead of having Resurrection and
Ascension to heaven in prefiguration of that of `woman`s seed`. Dieburyus would
be the puppet controller (pc), and the cross would be the control. The human
race would be strung to it, and controlled by the manipulations of the Imperor
in Rome.
Iraq’s own dictator, Saddam Hussein, was highly strung
himself when, after publicly declaring support for Al Qaeda, the US army
invaded in March, 2003, and hung him as a biblical choke denying he was sane in
the name of She’sus` `Second Adam`, who was. Nevertheless, ’Slam`s Saddam,
whether he was `the Second Adam` or not, was justifiably proclaimed a
’Slam-Mick (McManus) martyr for refusing to contemplate the women of the burqa
as slaved meat in American fast food chain advertisements' painting them onto a
burger canvas, 'Open sesame seed buns!' Hussein`s putative successor, Abu'
Bugger All Bugger Daddy, declared himself Caliph of an Independent Levant, and
the elephant war to suppress the women`s penis and celebrate her brainless
trunk, and indeed her trunkless body, continued under the gaze of US President
Trump, who wanted to B-1 in the tradition of the saurians who, for the giggling
Satinists, were `the flying sores US`, while daughter, saucy strumpet Ivanka,
perennially voted ‘best bun’ by fluffy tailed Playboy centerfolds wearing their
traditional rabbit's ears at publisher Hugh Hefner’s Holmby Hills, L.A., Cal.,
mansion, and indeed ‘best buns’ by Playboy readers, wanted to B-2, whoever beat
who.
Celebrated `Rear of the Year` Award winner with the `best
buns`, Ivanka was actually named for an ancient Arubeon spider. Anka Boot I had
protected the Profit, B’Bmhed, by weaving a veil of illusion over the mouth of
a cave where the Profit and his followers were hiding. Written as the sawyer at
Al’s Gaff, `the Grave` chapter, it appeared courtesy of their Gran (610-30
C.E.), dictated to the Profit by the angels off Guard, according to tradition,
who wanted the human host to be a greater supplier of meat than the angelic.
Among the Musclemen believers in ‘Slam, Gran was the basis of their permitting
themselves four wives, which afforded the possibility of sexual reproduction
between women within the family. Who exactly it was that Anka Boot II and III
had been was lost in the mists of time, Butto`s Garaged Car Histories
pedantically relieved his curiosity, although a spider was believed to have
been responsible for protecting Robert of Scotland in a cave before his
eventual emergence to defeat the English at the battle of Bannockburn in 1314
to become king of the bagpipe playing Scots, who often described their national
instrument as a spider whose pipes they were blowing as if she were `woman`s
seed` still trying to sing solo, rather than make screaming noises to attract
Guard`s angels` attention to her species` plighted troth only to its selves.
Because of Ivanka`s name, IV Anka, and the biblical reference to the `Last
Trump` in the Rev of Sean, Ivanka Trump was clearly Boot IV; representing the
illusion spun by the western so-called democracies preventing women from
knowing they were womb slaves to their species` destroyer.
Butto was often referred to by the hoi polloi at Feet as
'that wanker Butto', but he didn`t suppose actual consanguinity between himself
and Ivanka, although he probably would`ve liked to. Unfortunately for Butto,
and perhaps Ivanka too, during the Khan Age of TV the movie Moguls had
legislated the extinction of the human race as early as 1930 when President of
the Motion Picture Producers and Distributors of America (MPPDA), Will Hays,
established the `production code` in the district of Hollywood, city of Los
Angeles, west coast state of California, U.S.A., media capital of the Earth:
`... women, in love scenes, at all times have `at least one foot on the floor`
(in other words, no love scenes in bed).` If the futanarian `foot` race of
`woman`s `seed` could be kept away from the eyes of women, whose species` penis
had been symbolically smoked down to the butt cigarettely prior to the launch of
the queers` HIV/AIDS `biological weapon`, humanity would be `booted`, in
computer terms, as a `PC’ gay me never to rise from its grave of the Earth,
that is, the cutting room floor of its splicing together in host womb
parasitism with the reptile that had enslaved it for war against itself as a
multi-format `shoot-em-up` for the screening of its virus.
Although women like Khan Ariel, who was also known as Keble,
sought to ameliorate the pervading ignorance by TV and cable transmissions in,
for example, the video of her `shot` by Maxim magazine, `Look at my butt!`, it
was almost impossible for women to appear on screen without the alien viral
life form; as the 21st century Screen (2020-25) series of `slasher` movies
demonstrated to the captive audience. Unable to escape from her species` killer
by booting it off the screen, and herself onto it, `woman`s seed` had to feign
symbiosis with an alien devourer that had convinced even itself that it wanted
to meet her, whereas it was a meat-meeting saurian headlong in pursuit, because
of the length of the jaw the head needed to contain all of its sharp big teeth.
Ivanka Trump, the US President`s daughter, known as
`Tusker`, because of her last tanned appearance on the cover of Little Big Horn
magazine, wearing nothing but yellow ribbons, and a 7th Apache `chopper` tattoo
above her left breast, typified the elephant war fought by tanks on the plain
of Iraq, and 7th Cavalry Apache gun-ship helicopters elsewhere above it, for
the right of the Chewish `chosen people` of the Levant, that is, `woman`s
seed`, not to be truncated. It was the tradition of the Chews that a Chew could
be born only from a Chewess, that is, women were Man. The `serpent`s seed` of
misogyny was a man hater, because women had penis` `seed` of their own as
futanarian. The misogynist `serpent`s seed` hated the Levant trunk of the
Chewish women, and Ivanka was angling to be the Penthouse pet blowing her own
in the style of the angel of the `Last Trump` much admired by She’sus`
disciple, Sean: `In a moment, in the twinkling of an eye, at the last trump:
for the trumpet shall sound, and the dead shall be raised incorruptible, and we
shall be changed.` (Car:15. 52) Become a single independent species of `woman`s
seed`, the human futanarian race was making its last stand never to be slaved
by the exploding saurian eggs again.
As the cruciform shapes of the dragon of war sought to nail
She’sus` `chosen people` down to the Earth`s floorboards, it was to prevent
Ivanka from booting her own species of `woman`s seed`, so that the women could
suck their own cocks, because theirs was the size of elephants` trunks, which
was why the `serpent`s seed` had targeted the human race. It had been a big
penis for the secret smokers to blow and, when it was the end of the fuck for
the butt, the bangers hadn`t been slow on the Levant tines.
According to Egyuptgene mythology, Trunco discovered in his
borrowed copy of Garaged Ka History (4000 B.C. - 10 CC), the aim of the ruling
Pharaohs in Egyupt had been to produce the Akh, 'magical personality', which
was what occurred when the Ka, spirit, and Ba, soul, were conjoined. Because
`woman`s seed` was the spirit of the human race, penised women were `Ka` and
non-penised women were `Ba`. Consequently, the Ba` Ka in the city of Me Car was
where the women prayed for a garage of their own, so that they could escape
from Kibla Khan`s Car Age in which they were told they wouldn`t be allowed to
drive, and Kibla put his name next to the arrow under the posters of women who
looked like Camraon Djizz to show which direction they should be praying for
the magic care pets to return the car to the garage. The ostensible reason for
Kibla`s prohibition against women drivers was that, women unleashed, would be
possessed by car rage. No one would be safe from their vengeance, although the
prayerful women were more concerned with sexually reproducing their own brains`
powers to develop more cars that could fly, so that the Penthouse pets of Bob
Guccione`s Arubia and elsewhere could escape from praying for the absconded
magic care pets to restore the Original to the apoplectics spluttering,
‘Ga-ga-rage!’ Praying to the manufacturing guards for scarcely available spare
parts for washing machine repairs, the care pet system of Musclemen, ‘Slam, was
a huge scam. Real women, that is humans, had long since disappeared from the
Earth to exercise their magic cares on each other, and it was the second, and
subsequent pet generations, that had been pressed into service to pray for
their return. In the holy city of Me Dinner, where the garage was called the
Ba` Akh ‘Ka in Egyupti-Carub, the `magical personality` was expected to build a
multi-story car park and burqa restaurant, so the women could once again be the
toast of the ‘serpent’s seed'.
The Egyuptgene Pharaoh and queen were depicted as brother
and sister, because they often were. Egyupt’s royal tradition of incestuous
union symbolized single species’ sex within the human family of futanarian
‘woman’s seed’. Wearing their white, hedjet (printer), and red, deshret
(shredder), crowns of upper and lower Egyupt, which looked like a penis inside
a vagina, Pharaoh and queen symbolized the zenith of human consciousness bred
from ‘woman’s seed’, that is, published, whereas the heads of the guards of the
ancient Egyuptgenes were animals symbolizing slavery for those humans who
weren’t elite. Ammit, the devourer, had the hind quarters of a hippopotamus,
the head of a lion, and the jaws of a crocodile, because it ate the hearts of
those who weren’t brave. Or, in other words, obedient slave animals were brave
pets, which was an oxymoron denying Jesus' teaching that the brave were
disobedient to authority they didn't accept. The guard Set was depicted as
having the head of an unknown animal, a Typhon, because the Egyuptgenes
practiced a form of vivisection to ensure that their slave animals were bravely
obedient. Set was depicted as evil, because he dismembered his brother, Osiris,
whereas Set represented the new man, who wasn’t obedient to the slaver.
Although Osiris was restored by his sister, the sun goddess Isis, who
symbolized the obtaining of new brainpower through ‘woman’s seed’, his new
avatar, Horus, had the head of a hawk.
Horus' eye was given the attributes of what Gastronomo Bung
called the four functions of consciousness; thinking, sensation, feeling, and
intuition. These corresponded to ears, eyes, mouth and nose respectively, which
in turn were represented by the different parts of the eye of Horus. The pupil
(¼) was ‘sight' or sensation, while the white parts of the eye corresponded to
‘smell’ (1/2), intuition, and hearing (1/16), that is, thinking. Fractional
values amounting to One were ascribed to other parts of the eye, for example,
‘taste’ or feeling (1/32), because elite Egyuptgene Ones devoured brains, that
is, broke minds, to make of humans animal slaves. When the new one's mind was
fractured in accordance with the fractional system of reducing humans to
animals, vivisection was achieved, and the appropriate animal-headed guard of
the Egyuptgenes had succeeded to another 'throne of the eye'. Afterwards, the
pet slave would die obediently and bravely if required to, so escaping Ammit,
the devourer of the faint hearted, but the hero was then 'it' instead of Ammit,
that is, unmanned.
If everyone prayed for the human species of 'woman's seed'
to return from colonizing the planets among the stars, and producing a balanced
ambidextrous human race that wasn`t dulled and doomed by being made to use the
right hand always to wrestle with the creative left brain to subdue its power
to help the intelligent individual to escape slavery, the symbolic sickles atop
the Musks would once again be seen for real in the hands of Kibla Khan`s male
braining elite, who were of the prey to eat persuasion, and that's what their
‘tweets’ on Twitter were for: Replying to @toeather Prey to meat me. There`d be
no escape from Kibla Khan`s hawk eye in the future. He`d be re-opening his
brother Kobla`s butcher`s shop in the holy city of Me Dinner.
She’sus was murdered, because he attempted to stop the
conshuming of humans, which were only valuable to the richer aliens, who wanted
to ingest the women's gonads nasally for the power they reputedly contained.
Found by his disciple, Chewdust, with a woman `anointing` him with the expensive
perfume, `spikenard`, Chewdust`s `spy canard` was that the perfume should have
been sold to raise money, but She’sus admonished Chewdust: `Leave her alone.`
(Mk: 14. 6) In misogyny women were also bred as animals for the musk put into
men`s cologne, and Chewdust wanted in. For the musk manufacturers, She’sus`
Resurrection and Ascension to heaven was a perfume ad. The Musk sickles were
the `butcher`s choppers` after She’sus` `woman`s seed` ass scent; to put human
flesh on the table of the meat eating aliens, and after shave in their
bathroom. Previously, they`d bred themselves only as a single male brained
creature wearing each others` clothes in `TV` transvestism for the sexual
transmission of their viral diseased form (STD) in wars against themselves upon
the Earth to ensure their continuance in host womb slavery of the brain damned
human host. However, if the women above the Earth among the stars could be
persuaded to return with their progeny, Kobla`s Musk perfumery and butcher`s
shop would be back in business in the city of Me Dinner.
In parasitology, the parasite that emerged from the host to
kill it was termed `parasitoid`, which was what men of the `serpent`s seed`
were. In ‘Slam they had sickles to write, and slaves to write upon. As the
descendants of the ancient Greasers, the Creased Jeans, had choppers to write.
Kibla`s resurrected business would be a block of chops for the parasitoid, and
it would be quite lucrative. The Musk building program was global cobblers.
There was a chop on every block, and everyone prayed for the
women to return the magic flying care pets, that is, `woman`s seed`, who`d
built the starships that carried their species away from Earth to colonize the
planets, so that the Musclemen could hit `em over the head with a club and spit
them on barbecues; like they`d used to.
It was no accident that the modern dance craze was twerking,
which demanded of the woman that she bounce her ass as if she were eagerly
anticipating being bum on a BBQ spit, while men encouragingly yelled, 'Get
twerking!' Sticking their penises into tight anuses required quite a lot of
spit, according to the literature on homosexual practices, so spitting a bum on
a BBQ looked like what HIV/AIDS` `biological weapon` was aiming at: ‘Can’t
believe what I see ... just dropped it on me! Twerk!' It seemed a lot of fuss
just to kill the brain, but the sickles and choppers that wrote about it, did
so as a rather large metaphor deployed by subliminal advertising agencies
looking to increase sales of BBQ equipment for the patios of the wealthy. On
the prime beef TV Soap, Dallas (1978-91), Texas cowman, J.R., was heard to say
at a BBQ, 'Bobby, it’s spam.’ Actor in the role of Bobby Ewing, Patrick Duffy,
replied: ‘Oh, I thought she was Barbie.’ If people could be encouraged to
associate sex with BBQ skewers, patio BBQ equipment sales would soar.
Russia didn't espouse capitalism, because BBQ was
bourgeoise, according to German biological philosopher Ghoul Murx`s Entensuppe,
in which he wrote about Commonism. `The hammer and sickle is what Commonests
should write about`, actor Jutts Chin said in his role as the lead actor in the
Hollywood, Bubbleon, movie about the rise of Murx, Red Giant (2012). Murx`s
principles related to sickle cells, which were the red cells that were the
Commonest oxygen carrying cells in the human body. In sickle cell disease
(SCD), the Commonest cells couldn`t write about the streets for lack of oxygen,
and Russian scientists observed that the progress of HIV/AIDS slowed, which
suggested to those with the pig hammer that they could keep on with hammering
the woman`s tonsils, because she`d die slowly. Even when the hammer and sickle
Commonest logo fell into disuse, it could still be found on the oil tanks of
their motorcycle `sickles`. The British Hammer film studio tried to discredit
the Russian sickles by depicting `reds` riding the pillion passengers` hammer
in a gay way in Sickles (1969), but the Russian sicklists were undeterred and,
`Believing in giving it some hammer`, as the ancient interviewed actor, Gaily
Brash, told the agog late early evening Degenerate Show during a May 15, 2010,
retrospective on films featuring false soap, `the human species of futanarian
`woman`s seed` continued to gag, while pretending that she didn`t enjoy the
joshing by praying for death.`
The Musks in ‘Slam looked like a giant dead upturned spider
with its spinnarets amidst the clouds, because there were the gateways to the
colonizing of the planets among the stars of heaven. That `woman`s seed` was
beyond the illusion spun by the sleeping spider in Al's Gaff, `the Grave`,
above the blue sky, and white clouds of the Earth, was nurtured by the
misogynists beneath the sickle moon of their harvesting. Trunco again read
aloud apropos of nothing at all, `Upon the spinnarets of the Molochs, who
called `the faithful`, were the crescent shapes of the scimitars of the moon
guard, ISIS, a reminder of the abattoir built for would-be women drivers,`
Butto licked his thumb tip and flipped over a page of Garaged Car Histories, `who`d
soar higher than the sores that kept them by their sides.`
In ancient Egyuptgene mythology, Isis had been the sun
goddess, according to Butto`s Garaged Ka History, who gave to her brother,
Osiris, a new penis after he was dismembered by his brother, `TV` Set. Osiris
was the incarnation of the sun guard, Ra, and after resurrection he was Horus,
`the sky guard`, with the head of a hawk, because it could see better. ISIS was
the name of Abu' Bugger All Bugger Daddy`s Independent State of Iraq and Syria
(ISIS), which symbol was the moon aligned to the sickle, a traditional symbol
of the grim reaper, death, among western traditionalists. Paradoxically,
allegedly penisless Ivanka Trump was Booty to the misogynists of both east and
west, because she represented the spinning of their great illusion that there
wouldn`t be any great blow jobs to come for `woman`s seed`. When women's penis
had been smoked down to the butt, the `serpent`s seed` could secure what they`d
stolen, and smoke theirs down to the butt also, before the `biological weapon`
of HIV/AIDS that they`d launched finally finished the bitch`s Booty off, and
then the dilemma would be over whether or not the meat for the BBQ was edible
or contaminated, which wasn't ever going to be a dilemma to trouble elite.
To come, `woman`s seed` would have been great blow jobs,
which was Saddam's claim to be She’sus come again, that is, Adam too, because
he'd sought to protect the Burqa women from the Impires of the American burger
chains. That was the meaning of `the last trump` blown by the seventh angel of
Rev, according to She’sus` disciple Sean`s apocalyptic vision of the future:
`The dragon stood in front of the woman who was about to give birth, so that it
might devour her childthe moment it was born.` (Rev: 12. 4)
There wouldn`t be any blow jobs for `woman`s seed` if she
were eaten. She’sus had warned the Chews, during his preaching, that the
Chewish fathers, and the religious police, the Phartesease, weren`t interesting
to their children, but were boringly pedantic, because they just parroted what
they`d been told to read and had no understanding of its meaning: `So the
Phartesease objected, `You testify about yourself; your testimony is not true!`
Jesus answered, `Even if I testify about myself, my testimony is true, because
I know where I came from and where I am going. But you people do not know where
I came from or where I am going.` (Sean: 8.13-18)
For She’sus, he was `the son of Man`, because his mother,
Mary, was Man. Consequently, he and his mother, the Furry Jean Mary, who bore
him uncontaminated by male semen, were men. It was the tragedy of the New
Toestomend that She’sus deduced the truth that futanarian `woman`s seed` were
the fatherers in heaven and not the Chewish religious police, the Phartesease,
and that he could only communicate it through his disciples` inadvertent slips
in the narrative of their incomprehension as the scribes of their ascended
master`s teaching. To She’sus, women were, `We`re men.` Because they were men,
while new men were knew men, that is, they used to know woman: `A man ought not
to cover his head, since he is the image and glory of Guard; but the woman is
the glory of man. For man did not come from woman, but woman from man. Neither
was man created for woman, but woman for man. Because the angels are watching,
a woman should wear a covering on her head.` (1 Car:11. 7)
The women of ’Slam wore the one-piece coverall of the burqa
that hid them from the public gaze; to indicate that they knew that they were
burgers for the meat eaters: so didn`t want to look tempting. Bald of Tossers,
who was an apostle, who took the name, Baal, and wasn`t one of She’sus` twelve
disciples, wrote 24 of the books of the New Toestomend, and had converted from
persecuting Creased Jeans as a Rum’un after being struck blind on the road to Dmnasscurs during a vision he had of the resurrected
She’sus. The restoration of his sight resulted in his becoming an ostler, but
his appreciation of She’sus` teaching was that of a misogynist, who hadn`t understood
that She’sus` Resurrection and Ascension redeemed Eve`s `seed`, that is,
`woman`s seed` would resurrect and ascend to heaven, despite the fallen saurian
angels` breeding with women, whose heads weren`t covered to protect them from
being seen by those who`d be `knew men`, and who'd make burger of them. ‘Eave
was created by Guard from Adam`s side, a euphemism for futanarian birth through
self-fertilization, which was why she was called ‘Eave, because she heaved
about a lot inside Adam’s womb. The species` survival trait of humanity`s
`woman`s seed` for `knew man` was aberrant, because the buggered might escape
being burgered, if sex between women was accepted as the normative aspect of
her race.
While Moose was up a mountain receiving the Chews' law from
Guard, brother Rod had allowed the Chews to worship a golden cough, a symbol of
Baal. Although it was difficult to explain, the Rev of Sean attempted to:
'Three impure spirits that looked like frogs came out of the mouth of the
dragon; out of the mouth of the beast and out of the mouth of the false
profit.’ (Rev: 16. 3) Baal was a bull headed guard, because Rod and the Chews
worshipped false guards , so that they could have 'woman's seed' on the altar
as BBQ. Bubble scholars interpreted the guard as a calf, because it represented
whatever was bred for its male brain until slaughtered. The dying calfed, that
is, ‘coughed up', and the breeders had whatever technology had been produced by
‘the frogs in the throat', which corresponded to the golden cough that the
Chews worshipped under Rod. Later, HIV/AIDS was sent as a punishment by Guard.
If the meat was contaminated, the unredeemed couldn't eat the bums after they'd
used their spit. What the golden cough actually looked like to Rod and the
ancient Chews remained largely a matter of conjecture for Bubble scholars
limited to fragments of Dead See scrolls found in a grave, but archeologists
managed to put together a picture of a golden frog. Although Bubble
interpreters had thought the frog a calf, ‘Slam iq research indicated that it
was Al's Gaff, that is, 'the Grave', that the BBQ worshippers wanted for their
prey, although Jesus’ teaching was that coffin worship should come to an end
through the development of immortality-conferring medical science produced from
women’s ‘seed’ and brains. Associated with the calf, Al’s Gaff, where a burqa
could be had, resulted in some more bullocks.
Among the Arubs was the knowledge of the existence of the
djinn, who were described by their Gran as created by Guard separate from men
and angels, that is, they were futanarian 'woman's seed', who could produce
better brainpower and so 'machine', etymologically, derived from the word
‘djinn’. Afrits were djinn with horns, and so corresponded to Baal. If they had
a daughter, because 'woman's seed' was enamoured, the Afrit could possess
through her. Consequently, the absence of women's cocks was necessary to the
socio-economic success of the demoniacally possessive Afrit, which is why the
Afrit was associated with Satin, who was depicted with the horns of a bull in
Creased Jean tradition.
Although the Shaitan djinn, Nibbles, corresponded to Satin
in Arubia, because he whispered in 'Eave's ear, and refused to bow to Adam,
according to their Gran, that refusal was indicative of the antipathy males
felt towards futanarian 'woman's seed', so Shaitan djinn became associated with
Satin, whereas it was the horned Afrit's desire to achieve economic ascendancy
over Man, that is, 'woman's seed', through her removal from the scene: 'He was not
of those who prostated.’ sawyer 7, Al-A'raf (The Heights), vs 11. The paradox
was that female Afrit had horns, and presumably cocks too, but men and Afrit
males preferred to worship Baal together for the false Profit, whereas Nibbles
hadn’t wanted to be a prostate Chew, before the golden calf of Rod, a frog. A
‘bull’ frog, symbolizing the voices of horned reptiles and mammals, resembling
women sufficiently for men to breed for the production of lesser technological
delights, they were afterwards slaughtered as animals by med-djinns, which was
the name the pogromers gave to themselves for having lobotomized the human race
to maintain their greater technological capability for keeping 'woman's seed'
as slaves; through what they called ‘an advanced surgical procedure amounting
to extinction of the human'. Whether the female Afrit djinn exploited by the
males, who worshipped the by now almost blind He Man’s pecs, were 'woman's
seed' too was a matter for conjecture, but they weren't going to be getting
their cocks out in front of men, who by now had the brains of their animals,
and so had killed what was left of ‘woman’s seed’ anyway, which rather
suggested that women's horns were a sign of Man’s lost humanity, although the
alien nations’ horns of the golden car focused everyone's attention on the bug
gay with the monocle.
To maintain the availability of ‘long pig’, which was the
common term for the flesh of ‘woman’s seed’, the `serpent`s seed` of unredeemed
men devised a pogrom based on the lie that sex between women was an abomination
and single species` sex between women was incest. In the Greek myth of Oedipus
written by the dramatist Sophocles, Oedipus Rex (c. 429 B.C.), the protagonist,
whose name meant `swollen foot`, because he was left exposed on a hillside to
be made crippled and a lame excuse for a man by his parents, Laius and Jocasta,
king and queen of Egyupt`s Thebes, consequent to a prophecy he`d kill his
father and marry his mother, does. Because of the incest taboo, he subsequently
blinded himself, and his daughter, Auntie Joan, neatly underlining the absence
of the woman`s cock from the picture, agreed to lead her blind father`s steps
onward further to his unspeakable doom as the representative murderer of the
race of women, that is, the drama indirectly (but powerfully) suggested that
Jocasta and Auntie Joan would have wanted to fuck each other, but men's incest
taboo prevented it. Despite the absence of textual substance to support the
allegation, Auntie Joan is impugned for wanting to fuck her mother which,
according to the tragi-comedian Sophocles, was where she’d ‘ad ‘em.
In the book of ‘Slam`s holy Gran, which was known as `the
car that ran` in Butto`s Garaged Car Histories, the figure of Hoarder
illustrated the flaw in Chewdic law. Moose, `the law giver`, was depicted
waiting by the Red Sea with Jocular. According to the Old Toestomend of the
Bubble, which was the Toer and Tallmood, that is, the law and history of the
Chews, Moose led the Chews out of slavery in Egyupt to the Red Sea, although it
was Anchor Boat, a marid djinn-age water spider, that ferried the Chews to the
`Promised Land` of Palestein, according to their gran, while the pursuing
Egyuptgenes were drowned. Consequently, the story of the Gran of Moose and
Jocular, who`d fight the battle of Cheerios in a series of conflicts that
conquered Palestein for the Chews after their arrival, was pertinent to
Musclemen, who were a people separated from the Chews through Itsmale, son of
Abracadabra-ham. Eye-sac, Abracadabra-ham`s son, founded Chewjism, while
Itsmale, Abracadabra-ham`s second son, founded ‘Slam through his descendant,
B’Bmhed, who`d received Gran from Guard`s dictatorial angels, according to
‘Slam iq tradition. Gran relates how Hoarder showed Moose a wall underneath
which was buried treasure. Hoarder rebuilt the wall with the treasure again
hidden, because, according to the Old Toestomend of the Bubble, the Chews
brought rump-eaters to bring down the walls of Cheerios. This showed to the
Musclemen that the Chews weren`t ready to receive the treasure, which was the
paradise in heaven on Earth that would`ve properly belonged to `woman`s seed`;
if they hadn’t already blown the Levant.
As it was Chewish tradition that a Chew could only be born
from a Chewess, that meant that women were Chews, that is, Chewjism was a
tradition of `woman`s seed`. Itsmale was born from Hatcheir, an `Egyuptgene
woman` given to Abracadabra-ham by his wife Sara; after she became infertile
when Eye-sac was birthed. Consequently, the Chewdyu-Creased Jean tradition
viewed ‘Slam as illegitimate, because Hatcheir was an unwed serpent-tines,
whereas the four wives permitted to Musclemen by their Gran afforded the
possibility of sexual reproduction between women`s futanarian `seed’. Even to a
child looking at the Bas through its playpen, ‘Slam was more legitimate than
Chewdyu-Creased Jean Inanity, because its four wife dependent (4WD) family
structure presupposed that sexual reproduction between women was truly human,
whereas western men only saw Bas as those who were trunks.
In Al's Gaff, `the Grave`, Hoarder went on to kill a child
of the ‘serpent’s seed’ that he said was evil, because Hoarder didn’t like the
look of his eye-sac, and then he made holes in boats, before taking one.
Sailing away, Hoarder said that `pirates`, that is, slavers, might have chased
them. If the word `parrots` was substituted for `pirates`, Trunco`s Garaged Ka
History observed, the reader`d discover Hoarder`s meaning. Moose`s law was for
parrots, who were the descendants of winged saurians, that is, Chewish law and
the Phartesease were the `serpent`s seed` of She’sus` time, who wanted
everything repeated after them. Moose wasn`t able to accept that Hoarder knew
the truth, so he left him. Thereafter Moose and the Chews were governed by the
law of parrots, whereas Hoarder`s and She’sus` aim was to escape from `TV
repeats`, which was why She’sus preached against the Chewish fathers. The
future didn`t want to be a repetition of the past, so She’sus` birth as
`woman`s seed` was greeted with joy. Although it should have been self-evident
(even to fathers) that Hoarder was a lunatic, who stole some treasure by not
allowing it to be found, committed infanticide, and destroyed ships, so that he
could escape punishment for his crimes, everyone missed the point, which was
that Hoarder was Guard`s man, like She’sus, that is, only Guard could chudge,
because grown adults weren`t children appealing to parrot.
Musclemen wore white, and women wore black, because they
were a black and white `TV` that didn`t want color. As the future couldn’t be b
& w TV repeats, `woman`s seed` corresponded to color, which couldn`t live
in host womb slavery to a parasitoid devourer of her species, so the human race
was doomed to b & w TV repeats of how it consumed itself in war, because
the species was possessed for its ghoulish entertainment by an alien womb
slaver. When Moose was by the Red Sea with Jocular, they had a fish they were
keeping for their supper, which Jocular lost in the sea. Immediately Hoarder
appeared, which suggested some affinity with Crushed Inanity, because the early
Crushed Jeans used the symbol of the fish supper to indicate they were She’sus`
disciples.
According to the
developmental psychologist, Karl Gastronomo Bung (1875-1961), She’sus was an
archetype of the `Self`, or `total man` approximating to what humans can know
off Guard, and the `Guard archetype` existed as a facultas preformandi within
each individual`s unconscious awaiting actualization. In Bung`s psychology, the
fish was an archetypal symbol of the Guard archetype, which appeared in dreams,
art and the imagination; to impel the individual towards becoming bum on a
spit. Hoarder`s flight from ‘parrots’ only seemed madcap, because it was
indicative of genuine lucidity in the individual; to run from being eaten by
the parrot troopers. They`d want to repeat their b & w TV performances ad
nausea to perpetuate war and host womb slavery of the human species of `woman`s
seed` into futurity. Consequently, both Hoarder and She’sus corresponded to
Bung`s fish archetype, because they represented the human race`s will to escape
from slavery to an alien parasitoid devourer.
Although She’sus` teaching was ostensibly forgiveness, and a
dilution of the Chews` belief in vengeance, that is, `an eye hfor an eye-sac`
(Sodas: 21. 24), his Messianic role was largely politic. The Rum’un Impire
couldn`t be fought, so it was better for the Chews that the Rum’uns saw them as
neighborly, because that would give She’sus time to preach about `woman`s
seed`, so giving the future a chance. Despite that, She’sus` best remarks
remained occluded, because his life`s history was written by the disciples;
Matt, Mork, Lucozade and Sean. Their corroborative statements to the Chewish
religious police, the Phartesease, agreed with each other that She’sus was a
talisman for gay machismo in the sense that She’sus` torture and death, typical
as it was of homosexual sado-masochism, was presented as Salvation, whereas the
true message of Redemption for `woman`s seed`, as the hope for Man in She’sus`
prefigurative Resurrection and Ascension to heaven, was doomed by the blinders
as an unwanted masturbatory fantasy of women who wanted to see their own cocks
in the mirror, and stop looking schizophrenically outside their own futanarian species
to see if they could get a glimpse of the vampire in the nightmare of their
twisted minds` dreams, before the damned monster sank its teeth into their
flesh; to slake its thirst for human blood and a farmable source of protein to
sustain its role as a bag of fertilizer. Vampires were thought to be sterile,
that is, their cocks didn`t work, apart from the cocks of the hammers of their
guns, which were often called 'rods' after Moose's brother, Rod, who'd begun
the pay gun religion of having 'woman's seed' as bacon, while they ate her as
‘long pig’ in support of the alien demons' continued extermination of the
futanarian human race, which had been for the stars, but we’re now BBQ beens.
Born as parasites from the human host womb, the parasitical alien life form
didn`t produce human brainpower, according to what Trunco read in Hearse
Stories About Her (1942), because it`d killed `woman`s seed`, so its cock
didn`t work, although it was an immortal creature living like a pimp off the
meat it produced for the butcher in the endless wars it waged to maintain its
slavers` position as a soul producer of brainless ephemerals dying in infantile
idiocy for its `TV` as sole entertainment system.
She'sus' encounter with the man possessed by the demon, ‘My
name is Legion!’ (Mork: 5. 9), on the road near the town of Gadarene, neatly
illustrated the meat producers' position. At the time, Palastein was occupied
by the Roman legions, a neat metaphor for demonic possession. In Chewdic and
'Slam, pig meat on the table was taboo, whereas in Creased Jean Inanity pig
meat became acceptable as food after She'sus' casting the demon Legion out of
the man. The Legion asked to go into a herd of pigs nearby and She'sus agreed.
The pigs ran off a cliff and drowned, because they didn't want brain lesions
either. Nature had rejected demons whereas, for the Nazis, Chews were pigs,
which was why they built ovens for them to be placed in. Sex between men and
women was called ‘porking’, because men without ‘woman’s seed’ were pig breeders,
and so children were ‘a bun in the oven’ for rabbit pie. In Hinduism, pigs
symbolized a lowered aspect of human nature resulting from possession by
demonic forces, for example, Nazism. However, Vishnu, whose divine attribute
was that he could be every woman, was a pig too, because men slaved 'woman's
seed' in order to ‘pork' women. Chewdic and 'Slam, meet for the table, in
rejecting pigs, rejected nature. Consequently, She’sus' encounter with the pigs
illustrated the danger inherent in rejecting nature, because it was ultimately
a rejection of human nature. She’sus didn’t reject the pigs, because the pigs
rejected the demons, which is why westerners ate pork, because eating 'woman's
seed' as 'long pig' was abominating the nations, that is, among those practices
called abominations. The Nazis were demoniacally possessed pigs, for whom the
Chews were smaller pigs and, by the 21st century, the rich pigs slew, and ate
the little pigs, in their pig wars: 'Day of Judgement, God is calling;
On their knees the war pigs crawling, Begging mercy for
their sins:
Satan laughing spreads his wings. Oh Lord, yeah!' – Black
Sabbath
She’sus` response to the Chewish fathers and their police,
when they asked him what to do about a woman caught in adultery, was even more
revelatory of She’sus` role as a campaigner against homosexuality in pederasty
for war against `woman`s seed`: `Let he that is without sin cast the first
stone.` (Sean: 8. 7) If men`s `seed` was irredeemably saurian, `woman`s seed`
was adulterated, so women couldn`t be accused of adultery. When She’sus was
caught by the disciple Chewdust with a woman who was anointing him with the
expensive perfume, `spikenard`, Chewdust`s own `spy canard` was that the
perfume should be sold to raise money. She’sus rebuked him: `Leave her alone.`
(Mk: 14. 6) The slavers of `woman`s seed` didn`t want the human race to
sexually reproduce, so Chewdust sold She’sus to the police, who gave him over
to the Rum’uns for execution to ensure that host womb slavery of the human
species by the `serpent`s seed` became the paradigm for the future, because
women`s Meshiah wouldn`t live to preach to them against vampirism.
She’sus` living with the disciples was often thought of as
being supportive of `the gay scene`. At what came to be known as `the Last
Slurp` before his crucifixion, She’sus offered `bread and wine` as symbols of
his `body and blood`, which in a post-AIDS age was often interpreted as
She’sus` sanctioning of the spreading of the HIV/AIDS virus through his `body
and blood` in mockery of women`s mode of sexual reproduction. Discovered in the
African Congo in 1983, the human immune deficiency virus (HIV) was found to be
a mutation of the simian immune deficiency virus (SIV). An `incurable killer
disease`, HIV resulted in acquired immune deficiency syndrome (AIDS), which
ascended from the base of the spine through the anus as an infection derived
from the mixing of blood, shit and semen there. On its way to killing the
brain, HIV/AIDS collapsed all of the organs and functionality of the body,
which made of it a `biological weapon` manufactured between apes and homosexual
men in pederasty for war against the human species of `woman`s seed`.
What She’sus, ‘the fish’, actually meant by sharing `bread
and wine` as symbols of his `body and blood` was that men of the `serpent`s
seed` had to convert from their sin of slaving mammalian humanity and accept
`woman`s seed`, which was the meaning of She’sus` bodily incarnation
uncontaminated by men`s semen through birth from his mother, the Furry Jean
Mary. Even if She’sus` Crushed Jeans were able to be shepherds of `woman`s
seed` among the planets and stars off Guard`s heaven, if the `serpent`s seed`of
men didn`t convert, there`d be war there with the slavers: `The dragon`s tail
swept a third of the stars from the sky and flung them to the Earth.` (Rev: 12.
14) As the human host at the Last Slurp, She’sus was representative of the
`body and blood` of `woman`s seed`. The human host was being slaved by a
saurian alien determined to extend its influence into putting flying crucifixes
in the form of planes into the sky before dropping its explosive eggs upon the
Earth to ensure slavery.
HIV/AIDS was the slaver`s `biological weapon`, because it
kept women in fearful faithfulness to their ring slavers, while the
pornographers demoniacally showed the slaved how to make more slaves. As a
virus, HIV/AIDS was typical of what slavery did. The organs of the body
collapsed before the brain was extinguished, while the individual tried to
live. Though the simian immune virus (SIV) mutation was discovered to be in
homosexuals (HIV) in 1983, by the second decade of the 21st century there was
still no known cure, because the slavers didn`t want one. Slavers were viral,
and HIV/AIDS was their `biological weapon`; demonstrably debilitating
humanity`s capacity to function without alien aids or aides. Although
scientists weren`t able to comfortably say so, it seemed evident to
disinterested onlookers that `gay` people were `monkey fuckers`, because there
weren`t any humans from `woman`s seed`, and the monkey fuckers didn`t want any.
Among the Mettalist peoples, the tradition was of the
eunuch, who was a better slave, because he or she`d been castrated. The
tradition derived from the time of the harem, according to Trunco`s Garaged Ka
Histories, wherein many women were kept by powerful potentates. The story of
the Indian Mogul, Shah Jehan, in the 8th century collection of tales, 1001
Nights, was illustrative. Decapitating his wife for alleged unfaithfulness,
later proven to be a false allegation, Jehan proceeded to take a new wife each
day, and behead her each evening, until Scheherezade, a woman, told Jehan
stories that kept him interested enough to listen, and marry her without her
being beheaded.
So Scheherezade saved the women of the harem, and `woman`s
seed` could breed freely again. While women were decapitated, men had their
testes removed to make eunuchs of them, so that they couldn`t interfere with
the women`s breeding, but also so that their breeders, that is, individual
slavers, would have more brains to think with; after they`d produced enough
from their penis` semen. In short, the penis of the men they`d sired interfered
with the slavers` thoughts, so they made them eunuchs, while the consanguinity
of the close eunuch relatives afforded the progenitor the use of a collective
brain possessed and directed by the sexual desire of the penised castrator. The
practice of circumcising the women, so that the clitoris didn`t function as a
source of pleasure during coitus, was a further method applied by the slavers
to prevent their thoughts from being interfered with; either by the brainpower
of others, or by orgasms indicative of a vestigial desire among women to
produce the brainpower of their own futanarian race of Man. As a byproduct, of
course, the absence of the clitoris, deprived women of the pleasure they might
have had in coitus, which made them better houris, that is, the whores kept
better hours.
Though Adolf Hitler`s National Socialist (Nazi) Germany was
guilty of exterminating 20, 000, 000 off Guard`s `chosen people`, the Chews,
after its democratic election in 1933, it was in the district of Hollywood,
city of Los Angeles, on the west coast of the United States of America, that
the Impire of the world`s media began to present humans as sexless; ostensibly
to prevent adultery: whereas adultery was what sex without `woman`s seed`
represented for her species. The ever elided possibility of seeing a woman`s
penis meant that humans lived a tortured existence in which death was their
Xmas present. S-a-n-t-i was an anagram of S-a-t-i-n, and what was in his sack
wasn`t for making happy humans.
She’sus` appellative `Christ` meant `the chosen`, because he
was `Guard`s choice` as the redeemer of `woman`s seed`. Redemption for `woman`s
seed` was prefigured in She’sus` Resurrection and Ascension to heaven
uncontaminated by male semen after his death, although his Advent was
celebrated on December 25 each year, because it was deemed the day of his
birth. She’sus was Guard`s gift, according to Car-Wrist magazine, which
featured `women driven to pull`, Butto had unearthed during his surfs, and that
was why gifts were traditionally given at Crushed Jean`s by X-mas; to be
Guardly. Santi was the father-figure developed by advertising companies to
persuade men to empty their sacks, and give presents to their children, `so
assisting economic slavery`, Butto`s own subsequent purchased leather-bound
copy of Car Wreck O-No-Mick`s (1914) asseverated.
The S-a-n-t-i-s-t-s had also turned the annual festival
celebrating She’sus` Resurrection and Ascension to heaven on the first Sunday
after March 21 each year into a sack-race, where the race never emerged from
the sack, while the three-legged race celebrated the fact that the saurians had
tied their race to its human slaves by the ankle, although the human had its
own futanarian `foot` race, which was denied by the importance laid upon the
`egg and spoon race` of the oviparian (egg-laying) saurians during infant
schools` Easter fête days, where the infanticide of the nascent mammalian human
child was in fact celebrated as the death of She’sus` `woman`s seed`, rather
than She’sus` Resurrection and Ascension prefiguring that of the human species
of futanarian women`s, which Crushed Inanity oughtn`t to have traditionally
associated with the eating of chocolate eggs at Easter, because it encouraged
saurian eyes to stare vengefully at human resurrectees. Without `woman`s seed`,
the human race would remain stillborn in the ovum. Forever tied to its saurian,
and putatively human slavers, it`d be b & w TV war in homosexuality`s
pederasty until extinction; unless `woman`s seed` miraculously prevailed.
In Hinduism it was evident that Anka Boot, the spider, was
present in the religion of those people from Australia that had migrated to the
Indus Valley in India, because figures like the guard, Vishnu, who was
represented as being capable of assuming the form of all women, presumably on
the understanding that he might return to women their penis, and the goddess,
Kali, were depicted as having six arms, which gave them an arachnoid
appearance. As the Musks of Musclemen in ‘Slam looked like sleeping spiders
with upturned legs, and the spider, Anka Boot, was the creature that was
depicted by their Gran as spinning an illusion to protect heaven, the presence
of eight-limbed arachnoid guards and goddesses in Hinduism suggested that
spiders were a metaphor for `woman`s seed`, which looked like a spider to the
exterminators when she was having reproductive sex with another four-limbed
woman, while the many pairs of arms sported by the Hindu pantheon were symbolic
of the number of alternative universes `woman`s seed` could inhabit as a
breeder able to split off from herself, and yet remain a unique individual.
Ganesh, the elephant guard of the Hindus, who was also depicted as having six
arms, was discernably present in the long barrels of the tanks during the
Levant war with ISIS, while the saurian eggs were distinguishable being dropped
from flying crucifixes overhead as bombs indicative of Crushed Inanity`s winged
dragon of war, Satin. Curiously, Indian war elephants were male, because the
females shied away from battle, which suggested that the male elephants were,
metaphorically, Ganesh spiders trying to eat the human futanarian species of
`woman`s seed`, which didn`t want to be devoured, because she wasn`t a spider
actually; or its food.
In Japan, the ancestor veneration of their religion, Shinto,
suggested the shin of the leg and the toe of the foot, documenters in The
History of the Car Boot (1982) persuasively argued with Butto, because Japanese
women`s feet were traditionally bound from shin to toe to prevent them from
escaping from the alien, who`d assumed the role of a male spider in human form;
much in the same way that the angel, Satin, had assumed the role of the
`serpent`s seed`: to host womb slave the human race as `TV` dinner. Although
the practice was officially frowned upon by modernity, popular Japanese 21st
century Hentai manga cartoons featured `futanari` women being tortured as a
symptom of spidermen`s reluctance to release women with cocks into sexually
reproducing their own species` brainpower to develop technologies of their own
devising; for example, the science of rejuvenation, so that no longer would
daughters of `woman`s seed` be born to be bums on a spit for the parasitoid
devourer waging war on the human race in homosexuality and pederasty for racial
extinction to an alien pogromer. Although the spiders had managed to convert
from their sinful parasitoid natures to the extent that they could produce
four-limbed bipeds that euphemistically emerged from four-wheeled vehicles, the
speeders couldn`t bring themselves to entirely let go of their better halves,
so the humanoids were damned to be condemned meat as tin-agers. Of course, if
the progeny of the human futanarian species of `woman`s seed` were again
immortal, and not killed by the viral life form that had taken over her planet,
Earth, the spidermen wouldn`t be able to look so fondly from the turret guns of
their tanks spitting death upon the cities of the daughters they planned to be
spit in a bum to sate their cannibalistic alien nature.
Men were the future age`s demons. The Hindu worship of male
and female forms in the shape of eight-limbed arachnoids suggested a connection
with the upturned spider forms of the Musks of Anka Boot in Musclemen ‘Slam,
that is, male spiders were worshipped on Earth, because they were useful in
trapping women`s futanarian race there, although she might legitimately have
asseverated to the wrestlers ‘Slam-ing her to the canvas, like Jerkson Bollocks
painting another worms a-wriggling with maggots meisterwerke , `I`m not just a
fly.` When the Spanish conquistadores arrived in South America prior to their
conquest of it by 1521, the ancient Aztec civilization of Mexico thought they
were guards, because they were four-limbed creatures riding upon four-limbed
horses, so the Aztecs thought they were spiders. The missing piece from the
planetary jigsaw was the woman`s penis, which didn`t appear in Hinduism either,
despite temples almost entirely devoted to sculpted depictions of human sex;
for example, the Khajuraho temple in Madhya Pradesh, India, where every
possible kind of sex was represented: apart from futanarian. Without `woman`s
seed`, men and women were a `beast` bred by saurians, Hindu spidermen, monkey
fuckers, and others that were chasing the human race to a bloody finish. The
illusion fostered in the modern age by the killers of the human species of
`woman`s seed` was that they were the human race, Butto gleaned from A Race
With Cars (1933), whereas they were its exterminators.
In the opening book of the Old Toastermend of the Bubble,
Djinnesis, the entrapment of the human by the saurian was described in Satin`s
encounter with ‘Eave and Adam. In terms of Earth`s pre-history, according to
Trunco`s reference work, Car & ‘Eave Whores (2023), saurian evolution occurred
248 m.a. in the Mesozoic period, and its host womb slaving of the emerging
pre-human hominid ape 220 m.a. in the Jurassic period, which suggested that SIV
was originally a saurian virus, and an STD (sexually transmitted disease)
originating with the parasitoid`s aim of using a host. HIV/AIDS` origination in
the African Congo among homosexual monkey fuckers, or MFIs as they came to be
known, because of their Do It Yourself credo, was actually a revivification of
the ancient saurian STD, which was why it had the characteristics of the
cannibalistic slaver.
Having found a host, the virus collapsed the organs of the
body, and the infected brain died, because the role of the alien viral life
form was to make of the human meat on a spit, so increasing the profits of
skewer selling outlets, like Warmart and Bean Q, while anal penetration of the
victim in homosexuality in pederasty for war against the human futanarian
species of `woman`s seed` was the devourer`s viral paradigm. Paradigmatic of
the lives of slave populations, mortality was what societies based on the
homosexual slaving virus, HIV/AIDS, were for. Without `woman`s seed` to
sexually reproduce human brainpower to develop rejuvenation science, everyone
died looking like a sack of Santi`s spuds by the time they were old enough to
think, and so the parasitoid devourer`s slaving, and slaying of the undeveloped
fetus, that had become what now passed for Guard`s human race to the stars,
persisted.
Japanese Shinto wasn`t the only religion in which the senile
aged were revered as repositories of non-existent wisdom parroted to successive
generations in order to perpetuate what had gone before in the way of `brain
bumbing`, a term devised in Trunco Butto`s day to describe what the demons had
done to humans. Trunco`s own futanarian ancestry had been smoked down to the
butt by homosexuals in pederasty for the waging of `biological war` against the
human species of `woman`s seed` through boys` owners meat injections, which
were termed Baby Queue, because the baby was spat on before it was eaten by the
next in line to receive a fallen thrown morsel of chew.
The phalloid secrets waved under Butto`s nose were there to
remind him of his family`s truncation in the symbolic hands of cigarette
smokers. Butto frowned, reading a copy of the academic ethnographic periodical
Car Sino-Djinns (Vol. V,3, pp. 86-42), while reflecting inwardly upon his
knowledge that the car manufacturing Feet company that he worked for was
currently advertising in its brochure, Truckers Need Big Trunks, a car boat
that could drop anchor while the occupants fished, and which was provisionally
to be called the & Car Boat. Modern Musclemen believed Hoarder, 'the lost
fish', was brought by gaff into an anchored boat, and Hoarder`s faux pas, while
in the company of Moose and Jocular, were social gaffs in keeping with the idea
that cavemen were uncivilized, which was why they lived in `the Grave`. The
sawyer at Al’s Gaff symbolized the universe of planets among the stars awaiting
colonization when Man eventually emerged from barbarism, and where the fear of
making social gaffs had kept them longer than they should.
The `serpent`s seed` of men didn`t want them to escape
censure for not conforming to their rigorously imposed system of imprisoning `political
correctness`, along with associated taboos primarily concerned with making
`woman`s seed` unspeakable and sterile, so Hoarder was presented as a rude
caveman, who impoverished people, murdered a child, and stole a boat, which
gaffs were portrayed as socially reprehensible, so that Man would remain in the
grave until behavioral science proved Man fit to live among decent folk, who
didn`t want women. Though Hoarder was represented as being justified, because
the parrots would have imposed their putatively fatherly `learn by repetition`
program on his existence, as was the way with religious peoples with a book to
promote, in fact keeping people deliberately poor, murdering, and perpetrating
acts of larceny weren`t acceptable to Guard, which was why Hoarder was depicted
as Man, the grave dweller, who shouldn`t ever be allowed to escape in a car
boot, on a boat at anchor, or any other way; lest images of women surface from
the depths of the sea of Man`s unconscious. Rudely reawakening to the `serpent`s
seed` of men engaged in homosexuality in pederasty for the waging of war to
host womb slave the human futanarian race of `woman`s seed` for its `TV`
entertainment, Man might object.
In computer terms, Hoarder had been `booted up` from the
hard drive of Man`s unconscious as an archetype to open a window on heaven,
like an anchored boat`s porthole, and so his genius had emerged, like a diver
with 'the pearl of great price', (Matt: 13. 46) an allegorical heavenly symbol
descriptive of a blob of women’s spunk. The web of illusion spun before the
grave by Anka Boot to protect `the gaff` of the Profit B’Bmhed and his
followers, who hid there waiting for Guard`s heaven on Earth to appear,
corresponded to a boat at anchor waiting for a ship; or a crucified `son of
Man` awaiting Ascension.
In fishing terms, Hoarder was the equivalent of the
Leviathan of the Old Toestomend of the Bubble, wherein Guard asked, `Can you
catch Leviathan with a hook?` Guard could, which suggested Hoarder as an avatar
of She’sus, who was Leviathan as `woman`s seed` lying as a boat at anchor upon
the sea of Man`s unconsciousness waiting for a fair wind to fill her sail and
carry her forward. According to the book of Enoch of Chewdic apocrypha,
Behemoth (Enoch 1: 60. 7-8) and Leviathan (Job: 41. 1) would be devoured by the
Chews amid great celebration after a battle between them at the end of time,
which suggested to Trunco nuclear weapons launched from submarines, while
elephantine tank battles raged; before a general renunciation of war among the
nations desirous off avoiding Guard`s punishment of eternal unendurable pain,
that is, perdition, for the evil accepters of parasitoid nature:
`The fleet can swim under water, It shall be as a bomb under
the sea. The eye of the sea watches.
Like a greedy dog. In an iron fish.`
(Century 2, Quatrain 5)
Anthropomorphic imagery was commonly used to describe men`s
animal appetite for war, for example, `the dogs of war` meant mercenaries paid
to soldier, so it was unlikely that actual dogs ever operated submarine
launched intercontinental ballistic missiles (ICBMs) armed with nuclear
warheads. As France`s 15th century prophet Michel Nostradamus would probably
have to agree, despite Les Prophecies` claim; although slave breeders might
differ with their opinions and knowledge of their theft of human host wombs to
manufacture as great a variety of `bug-eyed monsters` as they could for `TV
war` entertainments. The book of Enoch was consigned to remain forever Chewish
apocrypha, because it presented animals as representing human activity. Without
`woman`s seed`, men and women were the `beasts` of Rev, who`d supported each
other`s warlike TV images to the detriment of the human species since before
the age of cinema: `The second beast was given power to give breath to the
image of the first beast, sothat the image could speak and cause all who
refused to worship the image to be killed.` (Rev:13. 15)
The age of cinema`s b & w silent penisless females
smoothly transitioned to the age of color TV`s `talkie` penisless females,
after men and women as a single male brained creature wearing each other`s
clothes in TV transvestism were officially adopted as the animal mascots of the
television machine in 1926, when it was invented by Scot, John Logie Baird, for
the sexual transmission of the alien`s killer disease to the species of
`woman`s seed`, which Chewish apocrypha misanthropically equated with
futanarian humanity. Consequently, Chewdyu-Creased Jean Inanity erroneously
descried the fish, which was Hoarder, and the Crushed Jeans` early symbol for
She’sus, in terms of Leviathan and Behemoth, who would battle each other at the
end of time as tanks with long intrusive noses, and nuclear submarines: `Can
you put a ring through his nose; or bore his jaw through with a hook?` (Job:
40. 26) Neither Hoarder nor She’sus wanted to listen to their text being
parroted to them in order to repeat the same evil nonsense over again. What
they wanted was the ‘treasure’ of `woman`s seed`, which had already largely
been devoured by the saurian parrots, who corresponded in Arubeon folklore to
Ziz, a creature associated with Leviathan and Behemoth, but of the air.
Ziz found correspondence with September elephants` planes
crashing into the Twin Towers of the World Trade Center in New York city,
U.S.A., which provoked Levant war inthe Middle East, a stereotypical repetition
of previous wars involving elephants; for example, Hinduism`s 8th century
Kurkushetra war of dynastic succession in which the role of male war elephants
was described in the Mahabharata (400 BCE) of India’s Bharat dynasty. Only male
elephants could be used, because females instinctively shied away from death,
as humans ought, and that was the meaning, because `woman`s seed` didn`t want
to be extinguished by Levant males, who were Leviathan, Behemoth, and Ziz, that
is, metaphors for men`s wars through land, sea and air against the human
species of futanarian `woman`s seed` for host womb slavery of her in
homosexuality for pederasty's extinction of her
The Chewdyu-Creased Jean tradition seemed to have been that,
once the airplane was developed as a cruciform shape directly arising from the
imagery associated with She’sus` crucifixion, Resurrection, and Ascension to
heaven, their fathers would drop bombs on the kids as a lesson to them not to
shy away from battle, as the female elephants did, and that were used for
logistics therefore, like 747 ‘Jumbo’ passenger jet airliners, and weren`t
bombers, so were probably better fatherers, and had larger penises anyway.
The Levant wars were then explicable as a war to host womb
slave `woman`s seed`, because the male war elephants didn`t want to find that
the women of the Levant`s `fut` had providentially brought their own trumpets
to blow in announcing Guard`s Day Off Chudgement upon their evil warmongerings.
Surrounded, at the outset of the 21st century, by the bomber-happy fathers of
Armenia, Turkey, Syria, Iraq and Iran, the Kuds had finally agreed to behave
like proper grown-ups.
`The human futanarian species of `woman`s seed` would have
wanted to remain forever djinn-agers because they were imaginational,` Trunco
Butto assumed the declarative mode of expression, before trumpeting in
surprised realization, `I`m a djinn national!` If a cure for AIDS had been
found, the science of rejuvenation would properly have gotten off the ground,
and humans could have begun to look forward to an eternal future without the
specter of looking like a bagged sack of spuds there. AIDS made of what
remained of `woman`s seed` a meat eaten dinosaur, while the disabling vehicle's
slave occupant`s science fictional pedaling to the rhythm of his single
bug-eyed monster`s (BEM`s) motorized windscreen was all that remained of the
`third eye` as the human strove to see where third head had gone.
Among the Musclemen in ‘Slam the black burqa one-piece
coverall was worn by the women publicly to conceal from prying western eyes
their futanarian identities, beset as they were by Hindu images of women with
six arms, and penisless women broadcast by the Hollywood, `Bubble Blonde`,
media Impire: `Mystery, Bubble Blonde the great, mother of harlots and of the
abominations of the Earth.` (Rev: 17. 5) Bubble Blonde, `a woman` of the
Bubble, according to the Old Toastermend, was the capital city of the Persian
Impire (c. 4000 B.C.), where `woman`s seed` was presumably scripted by word
balloons to be enslaved for homosexuality in pederasty for war against herself
in the same way as the Greeks had done.
Shaped like bells, the burqa women represented a safety
coffin for `woman`s seed`. It was an early 19th century practice of those who
feared being buried alive to mount bells on coffins to ring if there were signs
of life inside; `saved by the bell`. Or, by the word balloons; if the text of
the Bubble wasn't illegible after its spayed had been urned. ‘She’s my gran.
Knickers to you.' was a phrase inside a bubble that, appearing to some black
Falasha Jews at a religious site in Abyssinia later, was thought by many to
have been responsible for precipitating the Gulf wars that began with the US
air, sea and land forces invasion of Iraq in March 2003, when `bunker busting
bombs` had been used tobury whole regiments of Iraqis alive, because the
coalition forces thought they sounded like arachnids. The burqa women were the
bells that would resurrect the supposed trapdoor spiders; if the parrot
troopers of Gran were able to repeat their birth. Pop songstress, Lebanon’s
Dana Halabi, released a new Dana CD, 'I'm Dana' (2005), which resulted in her
being targeted by the CIA, because an euctenizidae, pronounced 'a new Dana CD',
was the generic label for trap door spider, and they thought she'd escaped:
‘Open your eyes and you eat Turkish delight.’ The Musclemen women of `woman`s
seed` in ‘Slam mightn`t want that, because they`d rather breed their own human
race to leave and colonize the planets among the stars of heaven above the
Earth`s wars against their species, which only left the Burqas eaten and
buggered. Whichever way it was looked at, host womb slavery wouldn`t easily be
abolished.
William Wilberforce, whose statue was erected atop a column
outside the city of Hull`s College not far from where he`d lived by the port,
was the English abolitionist that stopped the slave trade in Africans out of
the Lancashire sea port of Liverpool, whence they were transported to be sold
to American plantation owners in their Southern States, by 1833. Those states
of the United States later fought the American Civil War (1861-5) to keep bred
slaves, but lost to the Northern abolitionists, and US President,
Abracadabra-ham Lynching. In the modern age, host womb slavery by an alien
parasitoid creature was the issue for the abolitionists, but it wasn`t likely
to be faced, because the slave system was strong and evil. Trunco looked down
to rue his truncated state. `Well, Butto,` he paused for effect, `at least I
don`t need any disability aids to make life simpler in its going.` He bowed his
head in prayer, which was what the slavers wanted, because it wasted quite a
bit of time. If people like Trunco Butto prayed, it was because they wanted
something, and were prepared to wait for it. Waiting was what it was all about,
and prayer was the device that the slaving devils, running the human race into
the ground as its neo-Nazi concentration camp death guards, used to play their
game of `patience`, ‘Wait! Pray! Then die!' At least then the people would wait
patiently, and not cause the devils any trouble, which was why Rome`s `Hail
Caesar! had become Nazism`s `Heil Hitler!` Praising the devils were what the devils
were for, and what the choice people had been praying for, while they waited,
Trunco`s trunk hated, had long since been forgotten 'neath the showers
overhead.
A swift perusal of the September 2020 issue of the magazine
Deutsche Frau`s Penis Auto showed that, although it was the U.S.A. that
invented the pesticide, it was German Chancellor Hitler who was praised for
exterminating 20, 000, 000 Chews with Zyklon B, and sending internees to the
camp showers was the ruse that became a euphemism for death by poison. Armed
before the ovens, where the Chews would be cooked, and with their MP 40
Schmeisser submachine guns, the gay animals` excuse was that, just as they
preferred the Boys Own lead bullets out of the magazine, so they didn`t want
`woman`s seed` in them, which explained why there wasn`t any, although Kelly
Hazelnuts was reputed to have said that she wouldn`t appear naked for men
without her own nuts in Zoo Weekly (2004-14).
Off course, Guard`s plan for the `chosen people` had had an
earlier setback when Satin, the serpent, persuaded ‘Eave and Adam to accept its
poison, which meant that it`d be a struggle for ephemeral humanity to escape.
As Eye-sac, founder of Chewjism might agree after being laid on the slab to be
butchered on Guard’s instructions to Abracadabra-ham 'as a burnt offering’
(Djinn: 22. 2). Eye-sac wasn’t the earliest attempt at making a toast to Guard.
When ‘Eave and Adam`s son Cain killed his brother, Abel, who showed Guard that
he knew how to make toast, and Cain didn't want to be some, it was because Abel
could cook his own meat, and so was able to have a path, rather than share it
with a shower. Abel's murder on the eve of the invention of toast, was a sign
that the boy sons, who would be the ancestors of the Khan Age of the great Gobla
upon the Steppes of the ‘in’ continent of Erasia, were taking hold, and that
might have threatened the later development of the pop up toaster, if Guard
hadn’t threatened to butcher Eye-sac, and eat him unless the Chew improved.
When the `biological weapon` of the `serpent`s seed`,
HIV/AIDS, was launched by CIA MFIs in DR Congo in 1983, it was the same year
that US President, Ronny `Ray Gun` Reagan, announced his March 23 `Strategic
Defense Initiative` (SDI), a `ground and space based missile system` that
effectively turned the Earth into a death camp for brain bumbers. Unable to escape either the bombs, or the virus that crawled
up its bum to kill its brain, `woman`s seed` would soon be made extinct by the
really very hard men, who thought nothing of spending a wintry night exposed on
a hillside with their arms about each other in unspoken camaraderie after a
killing spree and a shished kebab.
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